
plate no. 6358
Gian Lorenzo Bernini, 1632
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. Students will also learn to mix subtle color variations and create depth using value changes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hat.
Block in the background with a dark, neutral tone.
Establish the main areas of color for the face, hat, and clothing, using thin washes of paint.
Begin to build up the values in the face, focusing on the highlights and shadows to create form.
Refine the details of the eyes, nose, and mouth, paying close attention to the subtle variations in color and value.
Work on the beard and hair, using small brushstrokes to create texture and detail.
Develop the folds and drapery of the clothing, using highlights and shadows to create a sense of depth.
Add final details and adjustments to the overall composition, ensuring that the painting is balanced and harmonious.
color palette
primary · red · ivory black · yellow ochre · titanium white
secondary · burnt umber · raw sienna
Mix various shades of red by combining red with small amounts of black, yellow ochre, and white. Skin tones can be achieved by mixing yellow ochre, red, white, and a touch of burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paint and improve its flow.
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