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home·artworks·Pope Urban VIII
Pope Urban VIII by Gian Lorenzo Bernini

plate no. 6358

Pope Urban VIII

Gian Lorenzo Bernini, 1632

oil, canvasBaroqueportraitportraitfiguremanclothinghatbeard
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. Students will also learn to mix subtle color variations and create depth using value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the placement of the head, shoulders, and hat.

  2. step 02

    Block in the background with a dark, neutral tone.

  3. step 03

    Establish the main areas of color for the face, hat, and clothing, using thin washes of paint.

  4. step 04

    Begin to build up the values in the face, focusing on the highlights and shadows to create form.

  5. step 05

    Refine the details of the eyes, nose, and mouth, paying close attention to the subtle variations in color and value.

  6. step 06

    Work on the beard and hair, using small brushstrokes to create texture and detail.

  7. step 07

    Develop the folds and drapery of the clothing, using highlights and shadows to create a sense of depth.

  8. step 08

    Add final details and adjustments to the overall composition, ensuring that the painting is balanced and harmonious.

color palette

primary · red · ivory black · yellow ochre · titanium white

secondary · burnt umber · raw sienna

Mix various shades of red by combining red with small amounts of black, yellow ochre, and white. Skin tones can be achieved by mixing yellow ochre, red, white, and a touch of burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the painting process.
  • →Failing to create a sense of depth and form through value changes.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paint and improve its flow.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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