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home·artworks·Pope Pius VI Blessing the People on Campo Santi Giovanni e Paolo
Pope Pius VI Blessing the People on Campo Santi Giovanni e Paolo by Francesco Guardi

plate no. 7850

Pope Pius VI Blessing the People on Campo Santi Giovanni e Paolo

Francesco Guardi, 1782

oil, canvasBaroquehistory paintingbuildingsfigurescityscapeskyarchitecturecrowd
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex architectural details with loose brushwork. It also provides practice in suggesting a large crowd of people with minimal detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major buildings and the horizon line.

  2. step 02

    Establish the basic values of the sky, using a thin wash of diluted paint.

  3. step 03

    Block in the large shapes of the buildings with simplified forms and colors.

  4. step 04

    Start adding details to the architecture, focusing on the main building on the right.

  5. step 05

    Suggest the crowd with small, indistinct brushstrokes, varying the values slightly.

  6. step 06

    Refine the details of the main building and the statue, adding highlights and shadows.

  7. step 07

    Adjust the atmospheric perspective by making distant elements lighter and less detailed.

  8. step 08

    Add final touches and highlights to create a sense of depth and atmosphere.

color palette

primary · raw umber · burnt sienna · ivory black

secondary · yellow ochre · titanium white · ultramarine blue

Achieve the muted tones by mixing earth colors with white and small amounts of blue. Use thin washes for the sky and build up layers for the buildings.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·alla prima

common pitfalls

  • →Getting bogged down in excessive detail too early.
  • →Failing to establish a strong value structure.
  • →Making the colors too saturated.
  • →Losing the sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a canvas with a medium texture to allow for better brushwork. Consider toning the canvas with a thin wash of raw umber before starting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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