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home·artworks·Pope Leo XIII being carried on Gestatorial Chair
Pope Leo XIII being carried on Gestatorial Chair by Enrico Nardi

plate no. 7229

Pope Leo XIII being carried on Gestatorial Chair

Enrico Nardi, 1892

oilRealismillustrationfigurescrowdarchitectureceremonythronereligious
experienced study

Recreating this painting will help students develop skills in rendering complex textures and patterns using a limited palette. It also provides practice in creating depth and perspective through careful value gradations.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to map out the overall composition and placement of key figures.

  2. step 02

    Establish the darkest and lightest values to create a strong foundation for contrast.

  3. step 03

    Start filling in the background architecture, focusing on the vertical lines and patterns.

  4. step 04

    Work on the figures in the foreground, paying close attention to the details of their clothing and faces.

  5. step 05

    Gradually build up the mid-tones, blending them smoothly to create a sense of depth.

  6. step 06

    Add finer details such as the patterns on the robes and the textures of the feathers.

  7. step 07

    Refine the highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Make final adjustments to the overall value range to ensure a cohesive and balanced image.

color palette

primary · ivory black · titanium white

secondary · raw umber · payne's gray

Mix varying ratios of black and white to achieve a full range of grays. Use small amounts of raw umber or payne's gray to add subtle warmth or coolness to the grays.

techniques

  • ·hatching
  • ·cross-hatching
  • ·scumbling
  • ·value shading
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Creating muddy or flat grays.
  • →Losing the overall composition in the complexity of the details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 0-4)
  • ·flat brushes (sizes 2-6)
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·raw umber oil paint
  • ·payne's gray oil paint
  • ·medium gloss
  • ·palette paper

A smooth canvas surface will allow for finer detail work. Consider using a toned canvas to establish a mid-tone base.

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oil painting for beginners →how to learn by studying the masters →
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