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home·artworks·Poor old Greek Anatolia
Poor old Greek Anatolia by Arshak Fetvadjian

plate no. 6815

Poor old Greek Anatolia

Arshak Fetvadjian

oil, canvasRealismsketch and studyfiguredogportraitnudeold maninterior
some experience helpful

Recreating this painting will help students develop skills in figure drawing, anatomical understanding, and creating realistic skin tones through layering and blending. It also provides practice in depicting textures such as hair and fabric.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure, dog, and background.

  2. step 02

    Establish the main light and shadow areas on the figure and dog using a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin layering in skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Pay close attention to the anatomical details of the figure, such as the muscles and bone structure.

  5. step 05

    Work on the dog, using similar techniques to create its form and texture.

  6. step 06

    Refine the background, focusing on creating a sense of depth and atmosphere.

  7. step 07

    Add details such as the hair, beard, and wrinkles to bring the figure to life.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and realistic effect.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · raw sienna · cadmium red light · ivory black

Mix skin tones by combining white, yellow ochre, and a touch of red. Use burnt umber and black to create shadows. Adjust colors with small amounts of red or yellow to achieve the desired warmth or coolness.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing
  • ·value studies

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones and losing the freshness of the paint.
  • →Ignoring the subtle shifts in color and value.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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