apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Plums at the Edge of the Table
Plums at the Edge of the Table by Constantin Stahi

plate no. 3913

Plums at the Edge of the Table

Constantin Stahi, 1905

oilRealismstill lifeplumsfruitstill lifetableshadows
some experience helpful

Recreating this painting will help students develop skills in rendering form with subtle value changes and understanding how light interacts with rounded objects. It also provides practice in creating a sense of depth through overlapping and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and arrangement of the plums and the table edge.

  2. step 02

    Establish the background color with a thin wash.

  3. step 03

    Block in the main colors of the plums, paying attention to their local color.

  4. step 04

    Begin adding highlights and shadows to define the form of each plum.

  5. step 05

    Carefully blend the transitions between light and shadow to create a smooth, rounded appearance.

  6. step 06

    Add details such as the stems and any imperfections on the fruit.

  7. step 07

    Paint the table surface, considering the light and shadow.

  8. step 08

    Refine the overall composition and add final touches.

color palette

primary · yellow ochre · burnt umber · Prussian blue · titanium white

secondary · raw sienna · cadmium yellow · alizarin crimson

Achieve the plum colors by mixing yellow ochre, burnt umber, and Prussian blue with varying amounts of white. Use alizarin crimson and cadmium yellow to create warmer tones.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·value study
  • ·atmospheric perspective

common pitfalls

  • →Overworking the blending, resulting in a muddy appearance.
  • →Failing to accurately capture the subtle value changes on the plums.
  • →Ignoring the effect of light and shadow on the overall composition.
  • →Not creating enough depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy