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Plums and Peaches by Henri Fantin-Latour

plate no. 7279

Plums and Peaches

Henri Fantin-Latour, 1894

oil, canvasRealismstill lifefruitplumspeachesbowlstill lifetable
some experience helpful

Recreating this painting will help students develop skills in rendering form with subtle value changes and creating a sense of depth through atmospheric perspective. It also provides practice in capturing the texture of fruit and the reflective quality of the bowl.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the bowl and fruit, paying attention to their placement and proportions.

  2. step 02

    Establish the dark background with a thin wash of dark brown.

  3. step 03

    Block in the main colors of the fruit and bowl using a limited palette.

  4. step 04

    Begin building up the values on the fruit, focusing on the highlights and shadows to create form.

  5. step 05

    Add details to the bowl, capturing its texture and the subtle variations in color.

  6. step 06

    Refine the edges of the fruit and bowl, softening some and sharpening others to create depth.

  7. step 07

    Add the stems and leaves, paying attention to their shapes and colors.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic image.

color palette

primary · burnt umber · raw sienna · cadmium red · ivory black

secondary · yellow ochre · sap green · titanium white

Mix browns and reds with black and white to create a range of values for the fruit and background. Use yellow ochre and white to create highlights on the fruit and bowl. Mix sap green with browns to create muted greens for the leaves.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a canvas with a smooth surface for best results. Consider using a toned canvas to help establish the dark background.

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oil painting for beginners →how to learn by studying the masters →
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