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home·artworks·Platter with Seashells, Roses, Pearls and Earrings
Platter with Seashells, Roses, Pearls and Earrings by Georgios Jakobides

plate no. 8155

Platter with Seashells, Roses, Pearls and Earrings

Georgios Jakobides, 1920

oilRealismstill liferosesseashellspearlsjewelrystill lifeplatter
some experience helpful

Recreating this painting will help students develop skills in rendering realistic textures, particularly the subtle sheen of the seashell and the delicate petals of the roses. It also provides practice in creating depth and atmosphere through careful value control and color blending.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the objects.

  2. step 02

    Establish the background with a warm, dark tone, blending the edges to create a soft, atmospheric effect.

  3. step 03

    Block in the main colors of the platter, seashell, roses, and leaves, focusing on the overall value structure.

  4. step 04

    Begin refining the shapes and adding details, such as the highlights on the seashell and the folds in the rose petals.

  5. step 05

    Develop the textures of each object, using different brushstrokes to create a sense of realism.

  6. step 06

    Add the smaller details, such as the pearls and earrings, paying attention to their reflective qualities.

  7. step 07

    Adjust the values and colors as needed to create a harmonious and balanced composition.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the objects.

color palette

primary · burnt umber · titanium white · alizarin crimson · yellow ochre

secondary · viridian green · raw sienna · cadmium yellow

Achieve the rose pinks by mixing alizarin crimson with titanium white, and adjust the warmth with a touch of yellow ochre. Create the seashell's iridescent sheen by layering thin washes of yellow ochre, raw sienna, and viridian green over a base of titanium white.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using colors that are too saturated
  • →Ignoring the subtle shifts in color temperature

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 filbert brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a smooth canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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