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home·artworks·Plaque of a Dutch woman tatting lace
Plaque of a Dutch woman tatting lace by Johannes Vermeer

plate no. 9902

Plaque of a Dutch woman tatting lace

Johannes Vermeer

porcelainBaroquegenre paintinginteriorfigurewindowbabydomestic scenechair
some experience helpful

Recreating this painting will help students develop skills in rendering subtle light and shadow, as well as creating realistic skin tones and textures. It also provides practice in depicting complex interior spaces and figures within them.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, window, and baby's cradle.

  2. step 02

    Establish the overall value structure by blocking in the dark areas first, then the mid-tones, and finally the highlights.

  3. step 03

    Begin painting the background, paying attention to the subtle variations in tone and color.

  4. step 04

    Paint the figure, starting with the larger shapes and gradually adding details.

  5. step 05

    Focus on capturing the light on the figure's face and hands.

  6. step 06

    Paint the baby in the cradle, paying attention to the soft, delicate features.

  7. step 07

    Add details to the window, chair, and other objects in the scene.

  8. step 08

    Refine the painting by adjusting values, colors, and details as needed.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · Prussian blue · burnt sienna

Achieve the muted tones by mixing earth tones with white and small amounts of blue or sienna. Use glazes of thinned paint to build up depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Failing to establish a strong value structure.
  • →Overworking the details too early in the process.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in tone and color.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Raw umber oil paint
  • ·Titanium white oil paint
  • ·Yellow ochre oil paint
  • ·Prussian blue oil paint
  • ·Burnt sienna oil paint
  • ·Assorted brushes (round and flat)
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Medium gloss

Use high-quality oil paints for best results. A smooth canvas surface will be helpful for blending.

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related guides

chiaroscuro →paint like vermeer →how to learn by studying the masters →
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