
plate no. 6808
Recreating this painting will help students develop skills in glazing, layering, and rendering textures of natural elements like leaves, bark, and animal scales. It also provides practice in creating depth and atmosphere through value and color variations.
technical profile
approach — 8 steps
Prepare the canvas with a toned ground (burnt umber or raw umber).
Lightly sketch the main elements: the overall composition of the forest, the snake, lizard, plants, and butterflies.
Establish the dark background using thin washes of dark browns and greens.
Begin layering in the mid-tones and highlights on the plants, snake, and lizard, gradually building up the form.
Add details to the plants, focusing on the edges and textures.
Paint the butterflies, paying attention to their delicate wings and patterns.
Glaze over the painting to unify the colors and create depth.
Add final highlights and details to enhance the realism.
color palette
primary · burnt umber · raw umber · yellow ochre · titanium white
secondary · sap green · cadmium yellow · red oxide
Achieve the various greens by mixing yellow ochre with sap green and burnt umber. Use white to create highlights and lighter tones of the browns and greens. Mix small amounts of red oxide into browns to add warmth.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to thin the paints for glazing.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne