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home·artworks·Plants and Insects
Plants and Insects by Otto Marseus van Schrieck

plate no. 6808

Plants and Insects

Otto Marseus van Schrieck, 1665

oilBaroqueflower paintingforestbutterfliessnakelizardplantsinsects
experienced study

Recreating this painting will help students develop skills in glazing, layering, and rendering textures of natural elements like leaves, bark, and animal scales. It also provides practice in creating depth and atmosphere through value and color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a toned ground (burnt umber or raw umber).

  2. step 02

    Lightly sketch the main elements: the overall composition of the forest, the snake, lizard, plants, and butterflies.

  3. step 03

    Establish the dark background using thin washes of dark browns and greens.

  4. step 04

    Begin layering in the mid-tones and highlights on the plants, snake, and lizard, gradually building up the form.

  5. step 05

    Add details to the plants, focusing on the edges and textures.

  6. step 06

    Paint the butterflies, paying attention to their delicate wings and patterns.

  7. step 07

    Glaze over the painting to unify the colors and create depth.

  8. step 08

    Add final highlights and details to enhance the realism.

color palette

primary · burnt umber · raw umber · yellow ochre · titanium white

secondary · sap green · cadmium yellow · red oxide

Achieve the various greens by mixing yellow ochre with sap green and burnt umber. Use white to create highlights and lighter tones of the browns and greens. Mix small amounts of red oxide into browns to add warmth.

techniques

  • ·glazing
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early.
  • →Not establishing a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burnt umber, raw umber, yellow ochre, titanium white, sap green, cadmium yellow, red oxide)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to thin the paints for glazing.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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