apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Plane Trees
Plane Trees by Constantin Flondor

plate no. 3093

Plane Trees

Constantin Flondor, 1952

oilRealismlandscapetreesforestlandscapefoliagegroundlight
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using brushstrokes to suggest texture. It's a good exercise in understanding atmospheric perspective and creating a sense of light filtering through trees.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the trees and the horizon line.

  2. step 02

    Establish the dark areas of the forest with a thin wash of dark green or brown.

  3. step 03

    Block in the general color areas for the ground and foliage.

  4. step 04

    Begin layering lighter greens and yellows on the foliage to suggest sunlight.

  5. step 05

    Add details to the tree trunks, paying attention to the direction of light.

  6. step 06

    Refine the ground area with variations of green and brown, creating shadows.

  7. step 07

    Add highlights to the leaves and branches to create a sense of depth.

  8. step 08

    Adjust values and colors as needed to achieve a harmonious composition.

color palette

primary · sap green · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix greens by combining blues and yellows, and adjust the value with white or raw umber. Create earth tones by mixing browns, blues, and yellows.

techniques

  • ·layering
  • ·scumbling
  • ·broken color
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Making the colors too saturated and unnatural.
  • →Ignoring the importance of value contrast.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy