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home·artworks·Pisa. View of the baptistery and the cathedral
Pisa. View of the baptistery and the cathedral by Alexey  Bogolyubov

plate no. 0034

Pisa. View of the baptistery and the cathedral

Alexey Bogolyubov, 1863

oil, canvasRealismcityscapecityscapearchitecturefigurestreesmountainssky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering to create depth. It also provides practice in rendering architectural details and figures within a landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, mountains, and figures.

  2. step 02

    Establish the horizon line and the vanishing point to guide perspective.

  3. step 03

    Block in the sky with a light blue wash, blending it towards the horizon.

  4. step 04

    Paint the distant mountains with muted greens and browns, using lighter values for areas further away.

  5. step 05

    Add the architectural structures, starting with the larger shapes and gradually adding details.

  6. step 06

    Paint the trees and foliage, varying the greens and yellows to create depth and texture.

  7. step 07

    Add the figures and animals, paying attention to their proportions and placement within the scene.

  8. step 08

    Refine details and highlights, adjusting values and colors as needed to create a sense of realism.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · cadmium yellow · raw sienna

Mix various shades of green by combining yellow ochre, ultramarine blue, and burnt umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·linear perspective
  • ·rendering

common pitfalls

  • →Incorrect perspective leading to distorted buildings.
  • →Overly saturated colors that flatten the image.
  • →Lack of value contrast, resulting in a muddy appearance.
  • →Neglecting atmospheric perspective, making the background appear too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·photo reference

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →how to learn by studying the masters →
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