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home·artworks·Piracicaba River Landscape
Piracicaba River Landscape by Jose Ferraz de Almeida Junior

plate no. 0593

Piracicaba River Landscape

Jose Ferraz de Almeida Junior

oilRealismlandscaperiverlandscapetreesskybuildingsunset
some experience helpful

This painting offers practice in atmospheric perspective and creating depth through value changes. Students will also learn to simplify complex shapes into basic forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the landscape: sky, hills, water, and the building.

  2. step 02

    Establish the horizon line and the placement of the main elements.

  3. step 03

    Block in the sky with a gradient of yellows, oranges, and reds, blending smoothly.

  4. step 04

    Paint the distant hills with muted browns and blues to create atmospheric perspective.

  5. step 05

    Add the dark mass of the trees and foreground, using a dark brown or black.

  6. step 06

    Indicate the reflection of the sky in the water with horizontal strokes of yellow and orange.

  7. step 07

    Add the suggestion of the building with light strokes of white or light gray.

  8. step 08

    Refine details such as the reeds in the water and the bare tree branches.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium orange · ultramarine blue

Mix the sky colors by blending yellow ochre, cadmium orange, and a touch of white. Use burnt umber and ultramarine blue for the dark areas, lightening with white for highlights.

techniques

  • ·atmospheric perspective
  • ·value gradation
  • ·wet-on-wet blending
  • ·scumbling

common pitfalls

  • →Overworking the details in the foreground, losing the sense of depth.
  • →Making the sky too bright or saturated, overpowering the rest of the painting.
  • →Not blending the sky colors smoothly enough, creating harsh transitions.
  • →Failing to simplify the shapes of the trees and hills, making them look too busy.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium orange oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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