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home·artworks·Pirámide del Sol
Pirámide del Sol by Jose Maria Velasco

plate no. 2855

Pirámide del Sol

Jose Maria Velasco, 1878

oilRealismlandscapelandscapepyramidmountainsfieldsskytrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create a sense of depth and distance. It also provides practice in rendering varied textures, from smooth mountains to rough foliage.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the pyramid, mountains, and horizon line.

  2. step 02

    Establish the sky with a light wash of yellows and blues, blending softly.

  3. step 03

    Block in the distant mountains with muted browns and purples, using atmospheric perspective to lighten the values as they recede.

  4. step 04

    Paint the pyramid, starting with a base layer of burnt sienna and adding darker shadows and lighter highlights to define its form.

  5. step 05

    Develop the fields and foreground with varying shades of yellow, brown, and green, creating texture with short brushstrokes.

  6. step 06

    Add details to the trees and foliage, using darker greens and browns for shadows and lighter greens for highlights.

  7. step 07

    Refine the details and adjust the values to create a cohesive and realistic landscape.

color palette

primary · burnt sienna · yellow ochre · titanium white

secondary · ultramarine blue · raw umber · sap green

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt sienna. Achieve atmospheric perspective by lightening colors with white and adding a touch of blue as they recede into the distance.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·color blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Failing to establish a clear sense of depth and distance.
  • →Using colors that are too saturated, resulting in an unrealistic landscape.
  • →Overworking the details and losing the overall harmony of the painting.
  • →Not paying attention to the light and shadow, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grit canvas for better texture. Consider using a glazing medium to enhance the depth of color.

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oil painting for beginners →how to learn by studying the masters →
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