apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Pilate Washing His Hands
Pilate Washing His Hands by Mattia Preti

plate no. 0930

Pilate Washing His Hands

Mattia Preti, 1663

oil, canvasBaroquereligious paintingfiguresreligious scenecrowdarchitecturePilatearmor
experienced study

Recreating this painting will help students develop skills in rendering figures in dynamic poses, creating depth through atmospheric perspective, and using a limited palette to achieve tonal harmony. It also provides practice in capturing different textures like skin, fabric, and metal.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thinned paint.

  3. step 03

    Develop the background, focusing on atmospheric perspective and softening details.

  4. step 04

    Refine the figures, paying attention to anatomy and proportions.

  5. step 05

    Build up layers of color and value to create depth and form.

  6. step 06

    Add highlights and shadows to enhance the three-dimensionality of the figures.

  7. step 07

    Work on the details of the clothing, armor, and other objects.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the warm, earthy tones by mixing burnt umber, raw sienna, and yellow ochre. Use ivory black and titanium white to create a range of values. Mix small amounts of cadmium red and ultramarine blue to create muted purples and grays.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, ultramarine blue, yellow ochre)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·painting easel

Use a high-quality canvas primed with oil-based primer for best results. Consider using a limited palette of colors to simplify the mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne