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home·artworks·Pic du Midi de Bigorre, vu de Tramesaygues
Pic du Midi de Bigorre, vu de Tramesaygues by Maxime Lalanne

plate no. 3723

Pic du Midi de Bigorre, vu de Tramesaygues

Maxime Lalanne

oilRealismlandscapemountainsvalleybuildingsfiguresskyrocks
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering detailed textures with a limited palette. Students will also learn to simplify complex landscapes into basic shapes and values.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, valley, and buildings, focusing on proportions and perspective.

  2. step 02

    Establish the darkest areas of the rocks and mountains with a diluted dark tone.

  3. step 03

    Gradually build up the mid-tones in the mountains and valley, using hatching and cross-hatching to create texture.

  4. step 04

    Add details to the buildings and figures, paying attention to their relative size and placement.

  5. step 05

    Create atmospheric perspective by lightening the values of distant mountains and softening their edges.

  6. step 06

    Refine the details in the foreground rocks and vegetation, adding highlights and shadows.

  7. step 07

    Adjust the overall values and contrast to create a sense of depth and realism.

  8. step 08

    Add final touches and details.

color palette

primary · ivory black · raw umber · titanium white

secondary · yellow ochre · burnt umber

Mix ivory black and titanium white for various shades of gray. Add small amounts of raw umber or yellow ochre to warm the grays and create subtle color variations.

techniques

  • ·hatching
  • ·cross-hatching
  • ·dry brushing
  • ·atmospheric perspective
  • ·value studies

common pitfalls

  • →Overworking the details in the background
  • →Ignoring the principles of atmospheric perspective
  • →Creating too much contrast in the distant mountains
  • →Failing to establish a clear focal point

materials

surface · watercolor paper 140lb

required

  • ·graphite pencils (HB, 2B)
  • ·kneaded eraser
  • ·watercolor paper or drawing paper
  • ·round brushes (small sizes)
  • ·ivory black watercolor or ink
  • ·raw umber watercolor or ink
  • ·titanium white gouache or ink

optional

  • ·ruler
  • ·palette for mixing
  • ·watercolor pencils

Use a smooth or slightly textured paper for best results. Experiment with different dilutions of ink or watercolor to achieve a range of values.

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oil painting for beginners →how to learn by studying the masters →
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