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home·artworks·Piazza del Popolo w Rzymie
Piazza del Popolo w Rzymie by Aleksander Gierymski

plate no. 6956

Piazza del Popolo w Rzymie

Aleksander Gierymski, 1901

oilRealismcityscapecityscapebuildingsobeliskfigurestreessky
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for atmospheric effects, and rendering figures in a landscape. It also provides practice in creating a sense of depth through layering and value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic perspective and placement of major elements (buildings, obelisk, trees).

  2. step 02

    Block in the main shapes and colors of the sky, buildings, and ground using thin washes.

  3. step 03

    Establish the darker values in the shadows of the buildings and trees.

  4. step 04

    Begin adding details to the buildings, paying attention to architectural features and light/shadow patterns.

  5. step 05

    Develop the foliage of the trees, using varied greens and browns to create texture and depth.

  6. step 06

    Add the figures and other details in the foreground, paying attention to their proportions and placement.

  7. step 07

    Refine the colors and values throughout the painting, adjusting as needed to create a sense of atmosphere and depth.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt sienna · ultramarine blue · titanium white

secondary · yellow ochre · raw umber · cadmium red light

Mix burnt sienna and ultramarine blue with varying amounts of white to create the sky and atmospheric haze. Use yellow ochre and raw umber to create the warm tones of the buildings and ground, and add cadmium red light for accents.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·broken color
  • ·linear perspective
  • ·rendering figures

common pitfalls

  • →Incorrect perspective can flatten the image.
  • →Overworking details too early can lead to a stiff painting.
  • →Failing to create a sense of depth through value changes.
  • →Inaccurate proportions of figures and buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x24
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round, flat, filbert)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

A toned canvas (burnt sienna wash) can be helpful for establishing the warm undertones of the painting.

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related guides

oil painting for beginners →how to learn by studying the masters →
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