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home·artworks·Philosopher with an Open Book
Philosopher with an Open Book by Salomon Koninck

plate no. 8351

Philosopher with an Open Book

Salomon Koninck, 1645

oilBaroquegenre paintinginteriorfigurearchitecturebookwindowstairs
experienced study

Recreating this painting will help students understand chiaroscuro and how to create depth using light and shadow. It will also provide practice in rendering complex architectural forms and a human figure within an interior space.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and perspective of the room and figure.

  2. step 02

    Block in the main areas of light and shadow using thin washes of color.

  3. step 03

    Gradually build up the darker areas, paying attention to the subtle variations in tone.

  4. step 04

    Focus on the light source and how it affects the surfaces in the room.

  5. step 05

    Refine the details of the figure, including the face and clothing.

  6. step 06

    Add highlights to create a sense of depth and dimension.

  7. step 07

    Pay attention to the textures of the different surfaces, such as the stone walls and wooden stairs.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and atmospheric painting.

color palette

primary · raw umber · burnt umber · ivory black

secondary · yellow ochre · titanium white

Mix raw umber and ivory black for the darkest shadows. Use yellow ochre and titanium white to create highlights and lighter tones. Add small amounts of burnt umber to warm up the overall color palette.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·grisaille underpainting

common pitfalls

  • →Failing to establish a strong value structure early on.
  • →Overworking the details before establishing the overall composition.
  • →Not paying attention to the subtle variations in tone and color.
  • →Ignoring the effects of light and shadow on the surfaces in the room.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·linseed oil
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a toned canvas to help establish the overall value structure. Consider using a grisaille underpainting to simplify the process of building up the values.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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