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home·artworks·Percy Huxter
Percy Huxter by Arthur Pan

plate no. 7320

Percy Huxter

Arthur Pan, 1954

oil, canvasRealismportraitportraitclownfigurehatmakeupcostume
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and expression, as well as understanding color mixing for skin tones and creating a sense of depth through layering.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the clown's head, hat, and shoulders.

  2. step 02

    Block in the background with a thin layer of light blue, establishing the overall tone.

  3. step 03

    Establish the main areas of light and shadow on the face using a limited palette of white, ochre, and a touch of red.

  4. step 04

    Begin layering the colors for the clown's costume, focusing on the reds and oranges, and blending them softly.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, paying attention to the subtle variations in color and value.

  6. step 06

    Refine the details of the hat, adding highlights and shadows to create a sense of form.

  7. step 07

    Add the clown's makeup details, using thin lines for the eyebrows and mouth.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and expressive portrait.

color palette

primary · titanium white · ultramarine blue · cadmium red light · yellow ochre

secondary · burnt umber · raw sienna

Mix white with small amounts of ochre and red to create the base skin tone. Use blue and white for the background, adding touches of ochre for warmth. Mix reds and umber for the costume.

techniques

  • ·portraiture
  • ·layering
  • ·blending
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the subtle variations in value and color.
  • →Losing the overall likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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