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home·artworks·Penitent Magdalene
Penitent Magdalene by Juan Martín Cabezalero

plate no. 0952

Penitent Magdalene

Juan Martín Cabezalero

oil, canvasBaroquereligious paintingfiguredraperyskullreligiousdark background
experienced study

Recreating this painting will help students develop skills in rendering realistic drapery folds and creating depth through subtle value changes. It also provides practice in painting the human figure in a dramatic, emotional context.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, skull, and drapery.

  2. step 02

    Establish the dark background with broad, thin washes of dark brown and black.

  3. step 03

    Block in the main areas of color: the skin tones, the red drapery, and the skull.

  4. step 04

    Begin building up the form of the figure, paying attention to the light and shadow on the face and hands.

  5. step 05

    Develop the folds and highlights in the drapery, using a variety of brushstrokes to create texture.

  6. step 06

    Refine the details of the skull, adding subtle variations in color and value.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and drama.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · ivory black · titanium white · cadmium red

secondary · yellow ochre · raw sienna

Mix skin tones using titanium white, yellow ochre, and a touch of cadmium red. Achieve the deep reds of the drapery by layering cadmium red over a base of burnt umber. Use ivory black and burnt umber to create the dark background.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·drapery rendering
  • ·portraiture

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Using too much paint
  • →Not blending colors smoothly enough

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use a canvas with a smooth surface to allow for subtle blending and glazing. Consider using a toned canvas to speed up the painting process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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