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home·artworks·Penitent Magdalene
Penitent Magdalene by Jan Cossiers

plate no. 8126

Penitent Magdalene

Jan Cossiers

panelBaroquereligious paintingfigureskullhairreligiousMagdalenedark background
experienced study

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and hair, and understanding chiaroscuro to create depth and drama. It also provides practice in depicting textures, such as the hair and the skull.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the skull.

  2. step 02

    Establish the dark background with a thin wash of dark brown or black.

  3. step 03

    Block in the main areas of color for the figure, skull, and hair, using a limited palette.

  4. step 04

    Begin layering and blending the skin tones, paying attention to the subtle variations in light and shadow.

  5. step 05

    Develop the details of the hair, using a variety of brushstrokes to create texture and movement.

  6. step 06

    Refine the skull, adding highlights and shadows to define its form.

  7. step 07

    Add the final details, such as the tears and the highlights on the skin.

  8. step 08

    Glaze the painting to unify the colors and add depth.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Mix skin tones using white, sienna, umber, and a touch of red and yellow. Use black and umber for shadows, and add blue to darken the shadows further. Create highlights by adding more white to the base colors.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·blending

common pitfalls

  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to create enough contrast between the light and shadow areas.
  • →Getting lost in details too early and neglecting the overall composition.
  • →Not capturing the emotion of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

chiaroscuro →how to learn by studying the masters →
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