apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Peek-a-boo
Peek-a-boo by Georgios Jakobides

plate no. 1693

Peek-a-boo

Georgios Jakobides

oilRealismgenre paintingchildrenchairinteriordollwindowplant
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a realistic style and capturing subtle variations in light and shadow to create depth and form. It also provides practice in depicting textures of different materials like wood, fabric, and skin.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and composition, paying attention to proportions and perspective.

  2. step 02

    Establish the background colors and values, working from light to dark.

  3. step 03

    Block in the main colors of the figures and chair, focusing on accurate color mixing.

  4. step 04

    Develop the forms of the figures and chair by adding highlights and shadows.

  5. step 05

    Refine the details of the faces, clothing, and other objects.

  6. step 06

    Add texture to the wood, fabric, and skin using appropriate brushstrokes.

  7. step 07

    Pay attention to the edges of objects, softening or sharpening them as needed to create depth.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and realistic effect.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · yellow ochre · ivory black · sap green

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, adding small amounts of cadmium red for warmth. Create shadows by adding ivory black or burnt umber to the skin tone mixture. Mix greens by combining yellow ochre and sap green.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly harsh or muddy colors
  • →Lack of attention to detail
  • →Ignoring the subtle variations in light and shadow

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy