apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Pechersky Monastery
Pechersky Monastery by Nikolay Bogdanov-Belsky

plate no. 8567

Pechersky Monastery

Nikolay Bogdanov-Belsky

oilRealismcityscapearchitecturebuildingcourtyardtreefiguregate
some experience helpful

This painting offers practice in depicting architectural forms with loose brushwork and capturing the effects of light and shadow on textured surfaces. Students will learn to simplify complex structures and create a sense of depth through color and value variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main architectural shapes and the overall composition, focusing on proportions.

  2. step 02

    Establish the basic color blocks for the sky, buildings, and ground using thin washes.

  3. step 03

    Begin building up layers of paint, focusing on the light and shadow patterns on the buildings.

  4. step 04

    Use thicker paint and visible brushstrokes to define the textures of the walls, roof, and cobblestones.

  5. step 05

    Add details to the windows, gate, and other architectural elements.

  6. step 06

    Paint the tree, paying attention to the shapes and colors of the leaves.

  7. step 07

    Add the figure in the foreground, keeping it simple and in proportion to the surroundings.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric painting.

color palette

primary · titanium white · raw umber · ultramarine blue · yellow ochre

secondary · burnt sienna · viridian green · cadmium red light

Mix various shades of gray and brown by combining raw umber, ultramarine blue, and titanium white. Use yellow ochre and burnt sienna to create warm highlights. Add viridian green to yellow ochre for the foliage.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Failing to establish a strong value structure, resulting in a flat painting.
  • →Using colors that are too saturated and not harmonizing with the overall palette.
  • →Incorrect perspective leading to a distorted architectural structure.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy