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home·artworks·Peat Land in Jæren
Peat Land in Jæren by Kitty Lange Kielland

plate no. 5968

Peat Land in Jæren

Kitty Lange Kielland, 1897

oil, canvasRealismlandscapelandscapewaterskycloudsvegetationpeat
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create realistic landscapes. It will also provide practice in rendering reflections in water and creating texture with brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the water.

  2. step 02

    Block in the sky with light blues and grays, blending softly to create cloud formations.

  3. step 03

    Establish the base colors for the land, using a mix of greens, browns, and yellows.

  4. step 04

    Paint the water with blues and grays, capturing the reflections of the sky and surrounding landscape.

  5. step 05

    Add details to the land, including the vegetation, peat stacks, and small flowers.

  6. step 06

    Refine the reflections in the water, paying attention to the distortion and color variations.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and realistic landscape.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · sap green · cadmium yellow light · raw sienna

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Create greens by mixing blues and yellows, and use burnt umber to darken and neutralize the colors. Achieve the brown tones by mixing burnt umber with yellow ochre and white.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering reflections

common pitfalls

  • →Overworking the details and losing the overall impression of the landscape.
  • →Failing to create a sense of depth and distance.
  • →Using colors that are too saturated and unrealistic.
  • →Ignoring the subtle color variations in the water and reflections.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (ultramarine blue, burnt umber, yellow ochre, titanium white, sap green)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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