apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Peasant coffin
Peasant coffin by Aleksander Gierymski

plate no. 0282

Peasant coffin

Aleksander Gierymski, 1895

oilRealismgenre paintingfiguresbuildingdogcoffinrural scenegrief
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures and drapery, as well as creating a somber mood through a limited color palette and subtle value shifts. Students will also learn to depict textures of different materials like wood, fabric, and stone.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures, building, and coffin.

  2. step 02

    Block in the main shapes and colors using thin washes of paint, focusing on the overall value structure.

  3. step 03

    Develop the background, starting with the building and then moving to the ground and surrounding areas.

  4. step 04

    Refine the figures, paying close attention to the anatomy, drapery folds, and facial expressions.

  5. step 05

    Add details to the coffin and other elements, such as the dog and the textures of the building materials.

  6. step 06

    Adjust the values and colors to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and shadows to enhance the realism of the painting.

  8. step 08

    Glaze with thin layers to unify the colors and create a subtle sheen.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · ultramarine blue · yellow ochre · burnt sienna

Mix muted greens by combining yellow ochre and ultramarine blue. Achieve the flesh tones by blending cadmium red light, raw umber, and titanium white. Create the blue of the coffin with ultramarine blue and titanium white, adjusting the value with raw umber.

techniques

  • ·Underpainting
  • ·Glazing
  • ·Scumbling
  • ·Dry brushing
  • ·Blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints
  • ·Palette
  • ·Palette knife
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Retouch varnish
  • ·Easel

Use a canvas with a smooth texture for better blending. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy