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Pears, Walnuts and Glass of Wine by Jean-Baptiste-Simeon Chardin

plate no. 4575

Pears, Walnuts and Glass of Wine

Jean-Baptiste-Simeon Chardin, 1768

oil, canvasBaroquestill lifepearswalnutsglasswinestill lifetable
some experience helpful

Recreating this painting will help students develop skills in rendering form with subtle value changes and creating a sense of depth through atmospheric perspective. It also provides practice in accurately depicting the textures of different objects.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the pears, glass, walnuts, and knife.

  2. step 02

    Establish the background tone with a thin wash of brown and green.

  3. step 03

    Block in the main colors of each object, focusing on the overall value relationships.

  4. step 04

    Begin to refine the shapes and values of the pears, paying attention to the highlights and shadows.

  5. step 05

    Add details to the glass, including the reflections and the color of the wine.

  6. step 06

    Paint the walnuts and knife, focusing on their textures and forms.

  7. step 07

    Adjust the background and foreground to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · yellow ochre · sap green

secondary · raw sienna · ivory black · cadmium yellow light

Achieve the pear colors by mixing yellow ochre, sap green, and burnt umber. Use ivory black and burnt umber for the darker tones in the glass and knife. Add small amounts of cadmium yellow light to create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·blending

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in color and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burnt umber, yellow ochre, sap green, raw sienna, ivory black, cadmium yellow light)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a canvas with a smooth surface for easier blending. Consider using a toned canvas to help establish the overall value structure.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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