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home·artworks·Peacock and Peahen with a Red Cardinal in a Classical Landscape
Peacock and Peahen with a Red Cardinal in a Classical Landscape by Tobias Stranover

plate no. 0696

Peacock and Peahen with a Red Cardinal in a Classical Landscape

Tobias Stranover

oilBaroqueanimal paintingpeacocksbirdslandscapetreesarchitecturefoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and detail, as well as understanding atmospheric perspective to create a sense of distance. It also encourages careful observation of animal anatomy and plumage.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the peacocks, architecture, and foliage.

  2. step 02

    Block in the background with thin washes of color, establishing the sky and distant landscape.

  3. step 03

    Establish the basic shapes and colors of the peacocks, paying attention to their proportions and anatomy.

  4. step 04

    Begin layering colors on the peacocks to create depth and detail in their plumage.

  5. step 05

    Add details to the architecture, such as the columns and fountain, using light and shadow to create form.

  6. step 06

    Paint the foliage, using a variety of greens and browns to create texture and depth.

  7. step 07

    Add the smaller birds and other details to the painting.

  8. step 08

    Refine the painting by adding highlights and shadows, and adjusting the colors as needed.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · sap green · ivory black

Mix greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the peacock's iridescent colors by layering thin glazes of blues, greens, and browns.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of light and shadow.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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