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home·artworks·Paying the Hostess
Paying the Hostess by Pieter de Hooch

plate no. 7714

Paying the Hostess

Pieter de Hooch, 1658

oil, canvasBaroquegenre paintingfiguresinteriorroomwindowcurtainsfloor tiles
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a dimly lit interior and understanding perspective to create depth. It also provides practice in mixing subtle color variations to represent different textures and light effects.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and the room's basic structure, paying attention to perspective lines for the floor tiles.

  2. step 02

    Establish the main light source (window) and map out the areas of light and shadow.

  3. step 03

    Begin blocking in the large shapes with thin washes of color, starting with the background and working forward.

  4. step 04

    Gradually build up the colors and values in layers, focusing on the figures' clothing and skin tones.

  5. step 05

    Pay close attention to the details of the faces and hands, using small brushes to add highlights and shadows.

  6. step 06

    Refine the details of the room, including the curtains, window, and floor tiles.

  7. step 07

    Add final touches and highlights to create a sense of depth and realism.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre

Mix various shades of brown and gray by combining raw umber, burnt sienna, ivory black, and titanium white. Use yellow ochre and cadmium red to create the warm tones in the figures' clothing and the curtains.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·linear perspective

common pitfalls

  • →Failing to establish a strong light source, resulting in a flat and unconvincing image.
  • →Overworking the details too early, before establishing the overall composition and values.
  • →Ignoring the subtle color variations in the shadows, leading to a muddy and lifeless effect.
  • →Incorrectly rendering the perspective of the floor tiles, disrupting the sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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