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home·artworks·Pawn Office
Pawn Office by Mihaly Munkacsy

plate no. 3236

Pawn Office

Mihaly Munkacsy, 1874

oilRealismgenre paintingfiguresinteriorpawn shopurban scenepoverty
experienced study

Recreating this painting will help students develop skills in depicting figures in a dimly lit environment and creating a sense of depth through atmospheric perspective and value variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and the main architectural elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main areas of color, paying attention to the relative warmth and coolness of different areas.

  4. step 04

    Develop the figures, starting with the larger shapes and gradually adding details.

  5. step 05

    Refine the lighting and shadows, using highlights to create a sense of form and depth.

  6. step 06

    Add details to the background and architectural elements, keeping them softer and less defined than the figures in the foreground.

  7. step 07

    Glaze thin layers of color to adjust the overall tone and create a sense of atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · ivory black · yellow ochre

secondary · ultramarine blue · cadmium red light

Mix various shades of brown and gray by combining burnt umber, ivory black, and yellow ochre. Use ultramarine blue to cool down the grays and create a sense of atmosphere. Add small amounts of cadmium red light to warm up certain areas.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Losing the sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, ivory black, yellow ochre, ultramarine blue, cadmium red light)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall value structure.

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