apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Path in a Small Wood
Path in a Small Wood by Constant Troyon

plate no. 9245

Path in a Small Wood

Constant Troyon

oil, canvasRealismlandscapetreespathfigurefoliageskylandscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practicing loose, expressive brushwork to depict foliage and textures.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the path, trees, and figure.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the sky with light yellows and grays, blending softly.

  4. step 04

    Begin layering in the dark greens and browns of the trees and foliage, using varied brushstrokes.

  5. step 05

    Add highlights to the leaves and path with lighter greens, yellows, and browns.

  6. step 06

    Paint the figure with simple shapes and muted colors, paying attention to the light and shadow.

  7. step 07

    Refine the details of the foliage and path, adding texture and variation.

  8. step 08

    Add final touches and highlights to create depth and atmosphere.

color palette

primary · sap green · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · raw sienna · cadmium yellow light

Mix greens by blending yellow ochre and ultramarine blue with varying amounts of white. Use burnt umber and white to create a range of browns and grays for the shadows and path.

techniques

  • ·layering
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →overworking the details
  • →creating flat, uniform colors
  • →ignoring the value structure
  • →making the figure too prominent

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#8 filbert brush
  • ·palette knife
  • ·linseed oil
  • ·mineral spirits
  • ·oil paints

optional

  • ·painting medium
  • ·palette
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy