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home·artworks·Path chapel with a view of St. Peter in Rome in the evening light
Path chapel with a view of St. Peter in Rome in the evening light by Guerrino Guardabassi

plate no. 5847

Path chapel with a view of St. Peter in Rome in the evening light

Guerrino Guardabassi

watercolor, cardboardRealismlandscapebuildinglandscapeskypathdomefoliage
suitable for beginners

This painting is a good exercise in atmospheric perspective and creating depth through color and value changes. Recreating this will help students practice layering washes and creating subtle color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: sky, horizon line, chapel, and foreground.

  2. step 02

    Apply a light wash of blue for the sky, fading towards the horizon.

  3. step 03

    Paint the distant buildings with a diluted blue-gray, focusing on their silhouette.

  4. step 04

    Add a base layer of yellow ochre and raw umber to the landscape, varying the tones.

  5. step 05

    Build up the chapel with layers of burnt sienna, raw umber, and touches of gray, defining the structure.

  6. step 06

    Add details to the chapel, such as the lantern and the vegetation on the roof.

  7. step 07

    Paint the foreground with a mix of greens and browns, adding texture with dry brush strokes.

  8. step 08

    Refine the details and adjust the values to create depth and atmosphere.

color palette

primary · cerulean blue · yellow ochre · burnt sienna

secondary · raw umber · payne's gray · sap green

Mix blues with white to create the sky and distant buildings. Use yellow ochre and raw umber for the landscape, adding touches of green for variation. Mix burnt sienna and raw umber for the chapel, using gray to create shadows.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·layering washes
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Using too much water and losing control of the washes
  • →Not creating enough contrast between the foreground and background
  • →Making the colors too saturated

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper 9x12
  • ·round brushes (various sizes)
  • ·flat brush
  • ·water container
  • ·palette
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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related guides

watercolor techniques →how to learn by studying the masters →
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