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home·artworks·Parthenon
Parthenon by Ippolito Caffi

plate no. 9858

Parthenon

Ippolito Caffi, 1863

oil, canvasRealismcityscapeParthenonruinsfiguresskylandscapearchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, rendering architectural details, and creating a sense of depth using value and color temperature. Students will also learn to simplify complex forms and capture the essence of a scene.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the Parthenon and other architectural elements.

  2. step 02

    Establish the sky with a gradient of blues and grays, blending smoothly.

  3. step 03

    Block in the main shapes of the Parthenon and surrounding landscape with thin washes of color.

  4. step 04

    Develop the values and details of the Parthenon, paying attention to light and shadow.

  5. step 05

    Add details to the foreground, including the figures and rubble, using a variety of brushstrokes.

  6. step 06

    Refine the colors and values throughout the painting, creating a sense of atmosphere and depth.

  7. step 07

    Add final highlights and details to the Parthenon and figures.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of depth.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · raw sienna · cadmium yellow light · ivory black

Mix the sky colors by blending ultramarine blue, titanium white, and a touch of burnt umber. Achieve the warm tones of the Parthenon by mixing yellow ochre, burnt umber, and titanium white. Use ivory black sparingly to create shadows.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the Parthenon wrong.
  • →Overworking the details and losing the sense of atmosphere.
  • →Using too much black and making the painting look muddy.
  • →Failing to create a sense of depth and perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can help establish a warm undertone.

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oil painting for beginners →how to learn by studying the masters →
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