apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Parrots and Fruit with Other Birds and a Squirrel
Parrots and Fruit with Other Birds and a Squirrel by Tobias Stranover

plate no. 5198

Parrots and Fruit with Other Birds and a Squirrel

Tobias Stranover, 1724

oilBaroquestill lifeparrotsfruitbirdssquirrelbasketstill life
experienced study

Recreating this painting will help students develop skills in rendering realistic textures, such as feathers and fruit skin, and in creating depth through atmospheric perspective and layering.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the parrots, baskets, and major fruit groupings.

  2. step 02

    Establish the background with a loose wash of dark greens and browns, creating a sense of depth.

  3. step 03

    Block in the main shapes and colors of the parrots, paying attention to their anatomy and feather patterns.

  4. step 04

    Begin layering the fruit, starting with the darkest shadows and gradually adding highlights to create volume.

  5. step 05

    Paint the baskets, focusing on the texture of the woven material and the interplay of light and shadow.

  6. step 06

    Add the smaller birds and squirrel, paying attention to their proportions and details.

  7. step 07

    Refine the details of the fruit, leaves, and other elements, adding highlights and shadows to create a sense of realism.

  8. step 08

    Add final glazes to unify the painting and enhance the colors.

color palette

primary · cadmium red · yellow ochre · ultramarine blue

secondary · burnt umber · sap green · ivory black

Achieve the vibrant reds of the parrot by mixing cadmium red with a touch of yellow. Create the greens by mixing yellow ochre and ultramarine blue, adjusting the proportions for different shades.

techniques

  • ·glazing
  • ·scumbling
  • ·layering
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the animals and fruit.
  • →Ignoring the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·drying retarder
  • ·damar varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne