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home·artworks·Paris, Quai Des Celestins
Paris, Quai Des Celestins by Włodzimierz Zakrzewski

plate no. 0102

Paris, Quai Des Celestins

Włodzimierz Zakrzewski, 1981

oilRealismcityscapecityscaperivertreesbuildingsboatssky
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and capturing the atmospheric perspective of a cityscape. It also provides practice in mixing subtle color variations to represent light and shadow.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the river, buildings, and main tree.

  2. step 02

    Establish the overall value structure with a thin wash of diluted paint, indicating light and shadow areas.

  3. step 03

    Begin blocking in the sky and water with broad strokes, using a limited palette of grays, blues, and greens.

  4. step 04

    Develop the buildings in the background, paying attention to their relative values and muted colors.

  5. step 05

    Add the trees, focusing on capturing the intricate network of branches with short, broken brushstrokes.

  6. step 06

    Introduce details to the foreground, such as the boats and reflections in the water.

  7. step 07

    Refine the highlights on the water and buildings to create a sense of light and atmosphere.

  8. step 08

    Add final touches and adjust colors as needed to achieve a cohesive and harmonious effect.

color palette

primary · gray · blue-gray · green-gray · brown

secondary · white · ochre · burnt umber · light blue

Mix various shades of gray by combining white, black, and small amounts of blue, green, and brown. Achieve the muted tones by mixing complementary colors.

techniques

  • ·Impasto
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using colors that are too saturated and not capturing the muted tones of the scene.
  • →Failing to establish a strong value structure, resulting in a flat and unconvincing painting.
  • →Making the tree branches too uniform and lacking in natural variation.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (gray, blue-gray, green-gray, brown, white, ochre, burnt umber)
  • ·Palette
  • ·Assorted brushes (flat and round)
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·Painting medium (e.g., Liquin)
  • ·Easel
  • ·Apron

Use a medium-grit canvas to provide a good surface for the impasto technique. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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