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home·artworks·Paris, La Seine
Paris, La Seine by Włodzimierz Zakrzewski

plate no. 7354

Paris, La Seine

Włodzimierz Zakrzewski, 1967

oilRealismcityscapecityscapebuildingstreesriverwatersky
some experience helpful

Recreating this painting will help students develop skills in impasto techniques and capturing atmospheric perspective using a limited color palette. It's a good exercise in simplifying complex scenes into basic shapes and textures.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, river, and trees.

  2. step 02

    Establish the sky and water with broad strokes of muted blues and grays.

  3. step 03

    Block in the buildings using a mix of yellows, grays, and blues, paying attention to the light and shadow.

  4. step 04

    Add the trees, using thick paint and visible brushstrokes to create texture and detail.

  5. step 05

    Refine the details of the river, adding highlights and reflections.

  6. step 06

    Develop the foreground with textured strokes of browns, greens, and grays.

  7. step 07

    Add final touches to the trees and buildings, adjusting values and colors as needed.

  8. step 08

    Step back and evaluate the overall balance and harmony of the painting.

color palette

primary · titanium white · raw umber · ultramarine blue · yellow ochre

secondary · burnt sienna · payne's gray

Achieve the muted tones by mixing white with small amounts of raw umber, ultramarine blue, and yellow ochre. Use burnt sienna to warm up the browns and add depth.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·palette knife application

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear value structure.
  • →Ignoring the atmospheric perspective and making the background too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (titanium white, raw umber, ultramarine blue, yellow ochre, burnt sienna, payne's gray)
  • ·palette knife
  • ·assorted bristle brushes (flat and round)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish

Use a medium-tooth canvas to enhance the texture of the painting. Consider using a palette knife for applying thick layers of paint.

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related guides

oil painting for beginners →how to learn by studying the masters →
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