apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Parade of the Navy. Imperial yacht Standart.
Parade of the Navy. Imperial yacht Standart. by Ivan Vladimirov

plate no. 7384

Parade of the Navy. Imperial yacht Standart.

Ivan Vladimirov, 1902

oilRealismmarinashipswaterskyboatsflagsfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering reflections on water. It also provides practice in depicting complex shapes like ships and boats using simplified forms.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the ships and boats, paying attention to perspective.

  2. step 02

    Block in the sky and water with broad strokes, establishing the overall color and value.

  3. step 03

    Add the larger ships in the background, focusing on their general forms and colors.

  4. step 04

    Paint the main ship, defining its shape and adding details like the masts and flags.

  5. step 05

    Add the small boat in the foreground, paying attention to the reflections in the water.

  6. step 06

    Refine the details of the ships and boats, adding highlights and shadows to create depth.

  7. step 07

    Adjust the colors and values of the sky and water to create a sense of atmosphere.

  8. step 08

    Add final details, such as the reflections of the flags and the figures in the boat.

color palette

primary · Prussian blue · Titanium white · Burnt umber

secondary · Yellow ochre · Cadmium yellow · Cadmium red

Mix Prussian blue and white for the sky and water, adding small amounts of burnt umber to create variations in tone. Use yellow ochre and cadmium yellow for the details on the ships, and cadmium red for the flags.

techniques

  • ·Atmospheric perspective
  • ·Wet-on-wet blending
  • ·Dry brushing
  • ·Rendering reflections
  • ·Layering

common pitfalls

  • →Getting the perspective wrong
  • →Overworking the details
  • →Using too much detail in the background
  • →Not paying attention to the reflections
  • →Ignoring the atmospheric perspective

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x24
  • ·#4 round brush
  • ·#8 flat brush
  • ·Prussian blue oil paint
  • ·Titanium white oil paint
  • ·Burnt umber oil paint
  • ·Palette knife

optional

  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Medium gloss

Use a limited palette to create a harmonious color scheme. Consider using a medium to thin the paint and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy