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home·artworks·Palazzo Ducale, Venezia
Palazzo Ducale, Venezia by Antonietta Brandeis

plate no. 1145

Palazzo Ducale, Venezia

Antonietta Brandeis

oilRealismcityscapebuildingswaterskyfigurescityscapecolumns
some experience helpful

This painting offers a good opportunity to practice atmospheric perspective and rendering architectural details with simplified forms. Students can also develop skills in depicting figures and creating a sense of depth in a cityscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, columns, and horizon line.

  2. step 02

    Block in the sky with a light blue wash, adding subtle variations in tone for the clouds.

  3. step 03

    Establish the base colors for the buildings, water, and ground, paying attention to the overall color harmony.

  4. step 04

    Begin adding details to the buildings, such as windows, arches, and decorative elements, using a smaller brush.

  5. step 05

    Paint the figures and other small details, focusing on their shapes and proportions.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details and make any necessary adjustments to the composition.

  8. step 08

    Add final details like birds and reflections in the water.

color palette

primary · sky blue · cream · light ochre

secondary · burnt sienna · ultramarine blue · gray

Mix light ochre with white and a touch of burnt sienna for the building facades. Use ultramarine blue and white for the sky, adding a touch of burnt sienna for warmer tones.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·rendering architectural details
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Getting the perspective wrong, especially with the buildings.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Making the colors too saturated and unnatural.
  • →Not creating enough depth in the composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (for cleaning brushes)

optional

  • ·easel
  • ·ruler
  • ·color charts

Use a canvas with a fine texture for better detail rendering. Consider using a medium to thin the paint for smoother blending.

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related guides

oil painting for beginners →how to learn by studying the masters →
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