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home·artworks·Palazzo Ducale
Palazzo Ducale by Antonietta Brandeis

plate no. 7399

Palazzo Ducale

Antonietta Brandeis

oilRealismcityscapebuildingswaterskyfigurescityscapearchitecture
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for atmospheric effects, and rendering architectural details with simplified brushstrokes. It also provides practice in creating a sense of depth and distance.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the buildings, the water line, and the horizon.

  2. step 02

    Establish the basic color blocks for the sky, water, and buildings, using thin washes.

  3. step 03

    Develop the sky with layered brushstrokes, adding subtle variations in blue and white to suggest clouds.

  4. step 04

    Build up the colors of the buildings, focusing on the warm tones and shadows.

  5. step 05

    Add details to the architecture, simplifying the intricate patterns with suggestive brushstrokes.

  6. step 06

    Paint the water with horizontal strokes, reflecting the colors of the sky and buildings.

  7. step 07

    Add figures and boats to create a sense of scale and activity.

  8. step 08

    Refine the details and adjust the values to create a cohesive and atmospheric painting.

color palette

primary · sky blue · raw sienna · titanium white

secondary · burnt umber · yellow ochre · cadmium red light

Mix sky tones by blending white with a touch of blue and a hint of yellow. Create building colors by mixing raw sienna, burnt umber, and white, adjusting the proportions for highlights and shadows.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details of the architecture, losing the overall impression.
  • →Creating colors that are too saturated or intense, disrupting the atmospheric effect.
  • →Ignoring the subtle shifts in value that create depth and distance.
  • →Failing to simplify the complex details of the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints: sky blue
  • ·oil paints: raw sienna
  • ·oil paints: titanium white
  • ·oil paints: burnt umber
  • ·round brushes sizes 2, 4, and 6
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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