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home·artworks·Palazzo
Palazzo by Antonietta Brandeis

plate no. 2922

Palazzo

Antonietta Brandeis, 1910

oilRealismcityscapebuildingwatergondolaskyarchitecturefigure
some experience helpful

Recreating this painting will help students develop skills in rendering architectural details, understanding atmospheric perspective, and mixing subtle color variations to depict light and shadow. Students can also practice painting reflections in water and capturing the texture of old buildings.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and the gondola, paying attention to perspective.

  2. step 02

    Block in the sky with a light blue, adding subtle variations for clouds.

  3. step 03

    Establish the main color masses for the buildings, using a mix of earth tones and whites.

  4. step 04

    Paint the water with horizontal strokes, reflecting the colors of the buildings and sky.

  5. step 05

    Add details to the buildings, such as windows, balconies, and architectural ornaments.

  6. step 06

    Paint the gondola and the figure, paying attention to their proportions and details.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and adjust the colors as needed.

color palette

primary · titanium white · burnt sienna · ultramarine blue

secondary · yellow ochre · viridian green · cadmium red

Mix various shades of grey and brown by combining burnt sienna, ultramarine blue, and titanium white. Use yellow ochre to warm up the browns and create highlights on the buildings. Mix viridian green with yellow ochre and white for the foliage.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Getting the perspective wrong on the buildings.
  • →Overworking the details and losing the overall impression.
  • →Using colors that are too saturated and not blending them properly.
  • →Ignoring the reflections in the water.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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