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home·artworks·Our daily bread
Our daily bread by Anders Zorn

plate no. 9774

Our daily bread

Anders Zorn, 1886

watercolor, paperRealismgenre paintingfigureslandscapefieldgrasscookingfire
experienced study

Recreating this painting will help students develop skills in rendering realistic figures in a landscape and capturing the subtle variations in light and shadow within a limited color palette. It also provides practice in creating depth and atmosphere through layering and glazing techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and composition.

  2. step 02

    Establish the sky and distant landscape with thin washes of color.

  3. step 03

    Block in the larger areas of the field and grass, focusing on value and temperature changes.

  4. step 04

    Develop the figures, paying close attention to proportions and anatomical details.

  5. step 05

    Add details to the cooking area, including the fire, pot, and surrounding objects.

  6. step 06

    Refine the details in the foreground, adding texture and highlights to the grass and figures.

  7. step 07

    Glaze over areas to unify the colors and create depth.

  8. step 08

    Add final highlights and shadows to enhance the realism of the painting.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue

secondary · raw umber · titanium white · cadmium red light

Achieve the earthy tones by mixing yellow ochre, burnt sienna, and ultramarine blue in varying proportions. Use titanium white to lighten values and create highlights. Add small amounts of cadmium red light to warm up certain areas.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Overworking the details in the background, which can flatten the image.
  • →Using too much water, which can make the colors appear washed out.
  • →Neglecting the importance of value contrast, which can make the painting appear flat.
  • →Getting the figure proportions wrong.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints (yellow ochre, burnt sienna, ultramarine blue, raw umber, titanium white, cadmium red light)
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·masking tape

optional

  • ·palette knife
  • ·watercolor pencils
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and ensure that the colors blend smoothly. Experiment with different brush sizes to achieve a variety of textures and effects.

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watercolor techniques →how to learn by studying the masters →
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