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home·artworks·Os Bebados ou Festejando o S. Martinho
Os Bebados ou Festejando o S. Martinho by Jose Malhoa

plate no. 0181

Os Bebados ou Festejando o S. Martinho

Jose Malhoa, 1907

oilRealismgenre paintingfigurestableinteriordrinkinghatspitcher
experienced study

Recreating this painting will help students develop skills in rendering figures in complex poses and capturing the nuances of light and shadow to create a sense of depth and realism. It also provides practice in depicting textures and details of various objects within a scene.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background and establish the overall lighting scheme.

  4. step 04

    Begin refining the figures, paying attention to anatomy and proportions.

  5. step 05

    Add details to the faces, clothing, and objects on the table.

  6. step 06

    Build up layers of color and value to create depth and dimension.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Refine the details and make final adjustments to the composition.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · yellow ochre · cadmium yellow · alizarin crimson · ultramarine blue

Achieve the warm, earthy tones by mixing burnt umber and raw sienna with small amounts of yellow ochre and alizarin crimson. Use ivory black to create shadows and titanium white to create highlights. Mix small amounts of ultramarine blue to cool down some of the browns.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·odorless mineral spirits

Use a medium-grain canvas to allow for layering and blending. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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