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home·artworks·Orpheus
Orpheus by Pierre Puvis de Chavannes

plate no. 8126

Orpheus

Pierre Puvis de Chavannes

oilSymbolismmythological paintingfigureangellandscapetreesmythologylyre
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as practice rendering figures with soft, diffused light.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and landscape elements.

  2. step 02

    Block in the main color areas with thin washes, starting with the sky and background.

  3. step 03

    Develop the figures, paying attention to the subtle gradations of light and shadow.

  4. step 04

    Add details to the landscape, such as the trees, rocks, and foliage.

  5. step 05

    Refine the details of the figures, including the faces, hands, and clothing.

  6. step 06

    Add the lyre and other small details.

  7. step 07

    Glaze over the painting with thin layers of color to unify the composition.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · yellow ochre · raw umber · titanium white

secondary · burnt sienna · ivory black · cadmium yellow light

Achieve the muted tones by mixing complementary colors and adding white. Use thin glazes of color to create depth and luminosity.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·soft blending
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and distance.
  • →Ignoring the subtle gradations of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, yellow ochre, raw umber, titanium white, burnt sienna, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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