plate no. 4875

Oration (The Prayer)

Giuseppe Abbati, 1866

oil, canvasRealismportraitfiguredressarchitecturebookportraitflowers

study guide

est. 15 hrs

approach — 8 steps

step 01
Sketch the basic composition, focusing on the proportions of the figure and the architectural elements.
step 02
Establish the main light and shadow areas with a thin wash of burnt umber or a similar earth tone.
step 03
Block in the main colors of the dress, cloak, and background, paying attention to the overall color harmony.
step 04
Begin to refine the details of the figure, focusing on the face, hands, and book.
step 05
Develop the folds and textures of the dress and cloak, using a combination of blending and layering.
step 06
Add details to the architectural background, including the columns, arch, and decorative elements.
step 07
Paint the flowers on the floor, using small, delicate brushstrokes.
step 08
Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · burnt umber · ivory black · titanium white · yellow ochre

secondary · alizarin crimson · ultramarine blue · raw sienna

Achieve the dress color by mixing burnt umber, yellow ochre, and a touch of ivory black. Use ultramarine blue and ivory black for the cloak, adding white for highlights. Mix alizarin crimson and white for the pink flowers.

techniques

·underpainting
·glazing
·scumbling
·chiaroscuro
·blending

common pitfalls

→Getting the proportions of the figure wrong.
→Overworking the details too early in the process.
→Creating muddy colors by overmixing.
→Failing to capture the subtle gradations of light and shadow.

materials

surface · stretched canvas

required

·stretched canvas 18x24
·oil paints (burnt umber, ivory black, titanium white, yellow ochre, alizarin crimson, ultramarine blue, raw sienna)
·linseed oil
·turpentine or odorless mineral spirits
·palette
·assorted brushes (round, flat, filbert)
·palette knife
·rags or paper towels