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home·artworks·Onrust Island near Batavia
Onrust Island near Batavia by Abraham Storck

plate no. 9787

Onrust Island near Batavia

Abraham Storck, 1699

oilBaroquemarinashipswaterbuildingsskyfiguresboats
experienced study

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering complex shapes like ships and buildings in a believable manner. It also provides practice in painting reflections and subtle color variations in water.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like the ships and buildings.

  2. step 02

    Block in the sky with light blues and grays, paying attention to the cloud formations.

  3. step 03

    Establish the base color of the water, using a mix of greens, blues, and grays.

  4. step 04

    Paint the distant buildings and ships with muted colors to create atmospheric perspective.

  5. step 05

    Add details to the foreground ships, including rigging, sails, and figures.

  6. step 06

    Refine the water, adding highlights and shadows to create the illusion of movement.

  7. step 07

    Add final details, such as flags, smoke, and reflections.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmosphere.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of blue and gray for the sky and water. Use raw umber and white to create the muted tones for the buildings and ships in the distance. Mix burnt sienna and yellow ochre for the warmer tones in the foreground.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering reflections
  • ·linear perspective

common pitfalls

  • →Overworking details in the background, losing the sense of depth.
  • →Using too much pure color, resulting in a flat and unrealistic appearance.
  • →Ignoring the importance of value contrast in creating form.
  • →Incorrect perspective on the ships and buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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