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home·artworks·Onorio Marinari Virgin and Child, in a Feigned Oval
Onorio Marinari Virgin and Child, in a Feigned Oval by Onorio Marinari

plate no. 1804

Onorio Marinari Virgin and Child, in a Feigned Oval

Onorio Marinari

oil, canvasBaroquereligious paintingfigurereligiousportraitchilddrapery
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and drapery folds. It also provides practice in creating a soft, diffused light effect.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval and the basic shapes of the figures, focusing on proportions.

  2. step 02

    Establish the background color with thin washes of color.

  3. step 03

    Block in the main areas of color for the figures: skin tones, drapery, and hair.

  4. step 04

    Begin layering and blending the skin tones, paying attention to subtle shifts in value and hue.

  5. step 05

    Develop the drapery folds, using highlights and shadows to create form.

  6. step 06

    Add details to the faces, focusing on the eyes, nose, and mouth.

  7. step 07

    Refine the hair, using small brushstrokes to create texture.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of depth and realism.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red light

secondary · ultramarine blue · viridian green · raw sienna

Achieve the skin tones by mixing titanium white, yellow ochre, and a touch of cadmium red light. Use burnt umber for shadows and ultramarine blue for cooler undertones. Mix greens and browns for the background.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to accurately capture the proportions of the figures.
  • →Ignoring the subtle shifts in value and hue in the drapery.
  • →Creating harsh lines instead of soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·viridian green oil paint

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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