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Onions by Hans Heysen

plate no. 6935

Onions

Hans Heysen, 1927

oilRealismstill lifeonionsbottlestill lifevegetablestablebowl
some experience helpful

Recreating this painting will help students develop skills in rendering realistic textures and creating depth through subtle value changes. It's a good exercise in observing and painting tonal variations in a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, paying attention to the placement of the onions, bottle, and bowl.

  2. step 02

    Establish the dark background and the lighter area on the right, creating the overall value structure.

  3. step 03

    Block in the main colors of the onions, bottle, and bowl using thin washes of paint.

  4. step 04

    Begin adding layers of color to build up the form and volume of each object, focusing on the highlights and shadows.

  5. step 05

    Refine the details of the onion skins, the bottle's reflections, and the texture of the bowl.

  6. step 06

    Add the subtle details of the table surface and the surrounding elements.

  7. step 07

    Adjust the values and colors as needed to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black

secondary · yellow ochre · titanium white · cadmium red (small amount)

Achieve the onion skin tones by mixing burnt umber, raw sienna, and yellow ochre with varying amounts of white. Use ivory black to darken the shadows and create the dark background. A touch of cadmium red can add warmth to the onions.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·cadmium red oil paint

Use a canvas with a smooth surface for better detail rendering. Consider using a toned ground (e.g., raw umber) to help establish the initial value structure.

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oil painting for beginners →how to learn by studying the masters →
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