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home·artworks·On the Way to the Market
On the Way to the Market by Constant Troyon

plate no. 1654

On the Way to the Market

Constant Troyon, 1859

oil, canvasRealismanimal paintinganimalslandscapefigurestreesfarmpath
experienced study

Recreating this painting will help students develop skills in atmospheric perspective, rendering animal forms, and creating a sense of movement and light. It also provides practice in layering and glazing techniques to achieve depth and luminosity.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the animals, figures, and the building.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, paying attention to the light source.

  3. step 03

    Block in the main color masses for the sky, trees, and ground, using a limited palette.

  4. step 04

    Begin layering colors on the animals, starting with the darkest values and gradually adding highlights.

  5. step 05

    Develop the details of the figures, paying attention to their anatomy and clothing.

  6. step 06

    Refine the background elements, using soft, blended brushstrokes to create atmospheric perspective.

  7. step 07

    Add final highlights and details to the animals and figures, using small brushes.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the luminosity.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium yellow · alizarin crimson · viridian green

Achieve the warm, earthy tones by mixing burnt umber with yellow ochre and small amounts of red. Create atmospheric perspective by adding white and blue to the background colors.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Neglecting the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue, cadmium yellow, alizarin crimson, viridian green)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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