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home·artworks·On the terrace at the Hotel Excelsior, Venice
On the terrace at the Hotel Excelsior, Venice by Fortunino Matania

plate no. 2242

On the terrace at the Hotel Excelsior, Venice

Fortunino Matania

pencil, watercolorRealismgenre paintingfiguresarchitecturetablesarchesclothinginterior
experienced study

Recreating this painting will help students develop skills in depicting figures in a complex scene and rendering architectural details with watercolor. It also requires careful observation of light and shadow to create depth and dimension.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the arches and the placement of figures.

  2. step 02

    Establish the main areas of light and shadow with a light wash of diluted watercolor.

  3. step 03

    Begin layering colors, starting with the background and working towards the foreground.

  4. step 04

    Develop the architectural details, paying attention to the brickwork and the shadows within the arches.

  5. step 05

    Add details to the figures, focusing on their clothing and facial features.

  6. step 06

    Refine the lighting and shadows to create a sense of depth and atmosphere.

  7. step 07

    Add final details such as the tableware and the patterns on the awnings.

  8. step 08

    Evaluate and adjust the overall balance and harmony of the painting.

color palette

primary · burnt sienna · ultramarine blue · yellow ochre

secondary · alizarin crimson · viridian green · raw umber

Achieve the variety of skin tones by mixing yellow ochre, alizarin crimson, and a touch of ultramarine blue. Create the brick color by mixing burnt sienna with a touch of alizarin crimson and raw umber.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·layering
  • ·glazing
  • ·rendering figures

common pitfalls

  • →Overworking the details and losing the freshness of the watercolor.
  • →Failing to establish a clear sense of perspective.
  • →Inaccurate proportions of the figures.
  • →Muddying the colors by overmixing.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (various sizes)
  • ·watercolor paper (140lb)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser
  • ·ruler

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes to achieve various effects.

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related guides

watercolor techniques →how to draw →how to learn by studying the masters →
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