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home·artworks·On the Sofa
On the Sofa by Wilhelm Trübner

plate no. 2028

On the Sofa

Wilhelm Trübner, 1872

oilRealismportraitfigureportraitsofaflowerstableinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, capturing subtle light variations on fabric, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering complex patterns.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figure, sofa, table, and background.

  2. step 02

    Establish the overall value structure by blocking in the dark areas, especially the figure's dress and the background.

  3. step 03

    Begin layering in the base colors for the skin tones, sofa fabric, tablecloth, and floral patterns.

  4. step 04

    Develop the details of the face, paying attention to the subtle shifts in value and color.

  5. step 05

    Work on the floral patterns on the sofa and background, simplifying the details and focusing on the overall impression.

  6. step 06

    Add highlights and shadows to create depth and dimension in the fabric folds and other details.

  7. step 07

    Refine the edges and details, softening some areas to create a sense of atmosphere.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the color harmony.

color palette

primary · ivory black · burnt umber · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Mix blacks and browns with blues and reds to create depth. Use white and yellow ochre for highlights and skin tones. Muted tones are key.

techniques

  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·alla prima
  • ·broken color

common pitfalls

  • →Overworking the details, especially in the floral patterns.
  • →Creating harsh edges and losing the atmospheric perspective.
  • →Failing to capture the subtle value shifts in the skin tones.
  • →Making the dark areas too flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to allow for expressive brushwork. Consider using a toned ground to establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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