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home·artworks·On the slopes of Mount Etna
On the slopes of Mount Etna by Michele Cammarano

plate no. 8979

On the slopes of Mount Etna

Michele Cammarano

oil, canvasRealismlandscapetreesforestlandscapefoliagelightshadow
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using brushstrokes to suggest texture. It also provides practice in observing and painting the effects of light filtering through trees.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Establish the dark underpainting using burnt umber or a similar dark brown.

  3. step 03

    Begin layering in the darker greens and browns of the foliage, varying the tones slightly.

  4. step 04

    Add highlights to the trees and foliage using lighter greens, yellows, and browns.

  5. step 05

    Paint the ground cover with a mix of browns, oranges, and greens, paying attention to the play of light and shadow.

  6. step 06

    Refine the details of the trees, adding texture and definition to the bark.

  7. step 07

    Add final touches to the foliage, creating a sense of depth and complexity.

  8. step 08

    Glaze with thin layers to unify the colors and create atmosphere.

color palette

primary · burnt umber · sap green · yellow ochre · titanium white

secondary · cadmium yellow · ultramarine blue · raw sienna

Mix greens by combining sap green, yellow ochre, and ultramarine blue. Achieve earth tones by mixing burnt umber with yellow ochre and white. Use thin glazes of color to create depth and atmosphere.

techniques

  • ·layering
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Making the colors too uniform and lacking variation.
  • →Not establishing a strong enough underpainting.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, sap green, yellow ochre, titanium white)
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·rags

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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