apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·On the Pasture
On the Pasture by Charles Jacque

plate no. 3005

On the Pasture

Charles Jacque, 1860

oilRealismgenre paintingtreessheeplandscapefigurefoliagepasture
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to depict distance. Students will also learn how to suggest detail rather than rendering every element precisely.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the large tree, the shepherdess, and the sheep.

  2. step 02

    Establish the sky and distant landscape with thin washes of color.

  3. step 03

    Block in the main shapes of the tree canopy and trunk, using darker greens and browns.

  4. step 04

    Add layers of lighter greens and yellows to the foliage to create highlights and variations.

  5. step 05

    Paint the sheep with a base color of off-white or light brown, then add shadows and highlights to define their forms.

  6. step 06

    Develop the details of the shepherdess, paying attention to the folds of her clothing and the light on her face.

  7. step 07

    Add details to the foreground foliage, using small brushstrokes to create texture and interest.

  8. step 08

    Refine the overall painting, adjusting colors and values as needed to create a sense of depth and atmosphere.

color palette

primary · sap green · burnt umber · titanium white

secondary · yellow ochre · raw sienna · ultramarine blue

Mix greens by combining sap green, yellow ochre, and ultramarine blue. Use burnt umber and white to create various shades of brown for the tree trunk and sheep.

techniques

  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Using too much detail in the background, which can detract from the focal point.
  • →Failing to create enough contrast between light and shadow.
  • →Making the colors too saturated, which can look unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth and luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy